When I discovered them again between shoots, exhibitions and the whirlwind of the photography world. I realised how sensual and slightly androgynous the model is who I think is called Mona but I am not 100 percent sure.

I shot these phots on a Linhof 5×4 plate camera for Hearst Magazines – it was a story about the … More

Even when I asked her if I could pour water over her head. She said yes and then my assistant was duly instructed to stand on a tall ladder and sprinkle water over her.

Warhol was a man of few words and wielded an antique polaroid camera and insistently took polaroids which he then dropped on the floor, without looking at them. I said ‘Are you going to open the polaroids Andy? He said, ‘No, I like them to cook because the colour becomes more intense.’

Zandra is a major talent as well as being a very bright, approachable and affable lady. The Fashion and Textile Museum (London) are currently exhibiting Zandra Rhodes: Fifty Years of Fabulous from now until the end of January 2020. I recommend you go along and see the gowns in real life, I say this unreservedly the gowns are works of art.

The main thing I find using Adobe Photoshop is I can revitalise and re-image the colour and restore the original quality of the image. An analogy would be, if you remaster a Beatles album, you have the spirit of the original saved in a stable way and that is the blessing of digital.

I always like casting shadows in my pictures and not just casting light, which is something that I don’t think people think about closely enough. There is always the moment of the big reveal that has the most incredible power and dynamism.

I decided it would be fun to shoot in my garden as it was looking particularly good and I had some interesting lighting ideas. I decided to back light all the foliage in the garden so I could capture the the translucence quality of leaves and branches, which gave everything a more mystical look.

‘It’s Clive,” I ventured we have a meeting about your movie”, there was a clattering of what sounded like cans, then Hunter let me in, where he shambled into the room and then slumped down onto the floor leaning back in an open fridge which had, had it’s door aggressively removed by Hunter.

I was sinking further into disappointment as the art director leant forward said in an almost intimate whisper “and a lingerie shoot.” At that moment I heard Schiller’s ‘Ode to Joy’ in the background